Singer-songwriter Soren Bryce went to LA when she was 16, later she raised over $10,000 on PledgeMusic and recorded her debut EP produced by David Kahne (Lana Del Rey, Ingrid Michaelson) which was released last year. The woman is 19, and just reading her short biography leaves you a little breathless.
Soren has a luxurious and rich sound, but that doesn’t negate the haunting authenticity. Build around simple chords, and a vocal that is hard to ignore, you’re invited into the mind of a young woman. It would be a shame to compare her because she has, after all, an already determined sound at such a young age, but if you’re into anything remotely related to Marina and the Diamonds, her self-titled EP is worth a listen.
“I walk the line / between the fight / between the innocent and the riots” she sings on the stunning ‘Sirens’. The production is wisely simple, there’s nothing to prevent you from paying attention to the lyrics and vocals which more often than not happens for up-and-coming artists.
Genre-wise she’s a getting around. Surprisingly, this is only what makes her EP stand stronger. Again, the simple production becomes the red thread throughout an adventurous extended play, where the artist is allowed to try new things without falling under the classically “confused sound universe” category.
‘Stick it’ is just as different as the rest, but I can’t help but have a flashback to early Imogen Heap days, and no bad words about that fantastic lady, (and this might be a bold statement) but Soren’s got a production behind her that carries the skewed universe and quirks far better.
Bryce is hard to put a label on, and I think ultimately if she carries on the way she has begun, she will be carving a brand new category or two for herself.